29 September, 2019

A week of reflection and learning

Recently, I have taken the time to reflect on my current professional practice: Where am I? How did I get here? Where do I see myself in 5 years time? Asking myself questions has been a great way to reflect. It has taught me to look inwards more often to find answers; however being careful not to be too self-critical with the questions. Reflection is an important part of development; I can see it gives me the opportunity to learn more about my experiences and my desires, and I will definitely spend more time 'reflecting'.

It was my first time visiting the University this week and, in a bid to expand my methods of learning, I took the opportunity to venture into the library. I was unconfident that I would find many relative books or any that could help me at all, however I stumbled across some interesting titles:
  1. Producing & the theatre business: Working in the theatre
  2. Making contemporary theatre
  3. Making a performance
Although these may not be useful for this module, they will still provide some interesting reads for future development.

Going to the theatre to see shows, to observe or to critique, is a great alternative method of learning. The company I work for has a scheme where they will pay for our theatre tickets, providing we write a review afterwards. I think this is a clever investment to allow staff to experience parts of the industry and feedback what they find. It also gives the company a more detailed view on the industry and current shows, whilst educating staff too. It has even changed the way I normally watch performances and made me think like a critic; questioning casting choices, finding what production methods work/doesn't work, and discovering new designs and different ideas. I hope applying this way of thinking to my practice will be beneficial, as producing a decent show should be appreciated by the audience and, possibly even more importantly, the critics.

On this scheme, I recently went to see Six the Musical at the Arts Theatre, London. Here is my review:
I had high expectations for Six, and it really didn't disappoint. I had already listened to the soundtrack on repeat round the house, but this was incomparable to the stage performances of the reimagined wives of Henry VIII.
When six sexy silhouettes entered the empty, smoky stage wearing promiscuous, black renaissance-style dress, I knew I was in for a treat. Each wife sang in turn telling their story (I actually learnt a lot), and attempting to outdo the others for who got it worse from King Henry - it was introduced as a sort of competition and left me hoping for a flexible finale; the possibility of having six different endings, depending on who won. However, a couple of numbers from the end, the queens came together and put aside their quarrels; they realised they are more than just 'wives' in a rhyme - that actually, the 16th century king is only famous because of them, which has totally reviewed this part of history.
I didn't expect to be taken on so much of a journey; the opening number 'Ex-Wives' brought the show to life with non-stop dancing, and we travelled to Germany and back with an interesting electro number 'Haus of Holbein'. The stage was oozing with energy, character and emotion; even the ballad 'Heart of Stone' almost brought me to tears. It would have been hard to escape the powerful vocals and impeccable choreography; I felt like I was at a concert for the newest girl group in town. It wasn't until after the show, I was told each wife is based on current divas (Beyonce, Lilly Allen, Adele, Rhianna, Arianna Grande, and Alicia Keys), adding another interesting layer to this fantastic show.
Between songs, the six performers showed perfect comedic timing through their dialogue, and bickered like a girl group back stage getting ready for the next number. The cleverly written historical references were not lost on the audience, and there were enough distractions for the younger members of the audience to allow the occasional innuendo and censored word to slyly slip through.
The all-female band, visible at the back of the stage, were introduced at the start of the show, and brilliantly accentuated the womanly presence on stage. They provided a variety of music, even incorporating references to the familiar 'Green Sleeves' melody, and left me happily singing most of the tracks for the past week. My absolute favourite is the title song 'Six', which perfectly brought an end to the show. During this number, the whole audience were on their feet; dancing, applauding, whistling and cheering for more!
After a short 70-minute blast of full feminine power, I left the theatre feeling utterly satisfied. I will definitely be returning to this history lesson.
Please tell me what you have been to see recently, and what you thought of the show...

However, learning isn't just sat in a classroom, reading a book or scrolling through Wikipedia at 2am; it's ANY kind of interaction. I have found my approach to learning tends to be quite passive, and I often rely on situations that happen by chance to teach me about my practice. There are so many other ways to to learn, and proactive learning is incredibly important. So, as good as observation and reading can be, I need to focus on these methods of learning. This week I will be reaching out to other professionals to initiate a discussion; talking about their profession will teach me about their roles within the industry, and inevitably my own practice.

What other approaches of learning do you undertake? Which ones do you benefit from the most?

2 comments:

  1. Hi Rowan. An interesting blog, and I have to say I'm very envious of your free theatre tickets! I haven't yet seen Six but it's on my to watch list, and I'm looking forward to seeing Dear Evan Hanson and Mary Poppins within the next few weeks. I too often look at performances with a critical eye, and I find it difficult purely to sit back, enjoy and be in the moment. However, this never takes away from my satisfaction as I come away feeling like I have learnt something. Whether that be through choreographic inspiration, or brainstorming what I would have done differently in the creative process, the process of rumination stays with me.

    I do believe I am a visual learner and upon reflection I can see that my preferred entry on the Kolb's learning cycle is in 'Reflective observation' and watching others in action. I remember doing this from a very young age in dance class, learning more from my peers than I realised. I've also become intrigued by the concept of Tacit Knowledge and I can resonate with the notion that learning through 'feeling' is a valid process, despite being unable to articulate. I believe with dancers the articulation often comes from the body, and it's with this physical feeling that true artistry can emerge. It has made me reflect on how I can transfer this notion to my students via teaching methods. Repetition enables muscle memory, but further techniques need to be found in order to inpire their own personal connection with their physical being.
    I too am learning that there are so many different ways to learn!

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  2. Hello Sophie, thanks for your comment. It is interesting to read about your preferred learning styles and how that has impacted your practice and approach to teaching. I agree, Tacit knowledge is fascinating and definitely a valid process - especially in the arts and creative industry. Kolb's learning cycle is new to me, so thank you for the introduction - this will definitely be a topic I will be exploring further.

    It's reassuring to know that I am not alone watching performances with a critical eye, however, if I allow it to take over, it can often distract me from the performance. I should try to learn to separate these thoughts and save reviewing until afterwards...
    Yes, Dear Evan Hansen and Mary Poppins are on my watchlist too, and I highly recommend Six - I would say go and see it before it goes, but it doesn't seem like it will close any time soon!

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